Upon This Rock

Keith, Sue and John in 1972 I have told this story before, but it bears repeating. I came to faith in early September 1973 after a day at the Bromyard Folk Festival where I heard a folk-rock trio called Parchment play. I can still remember the rich aroma of the trampled grass that had been baking all day under the warm canvas, as the hot late summer sun beat down upon the large marquee we were sat in. The stage was small, and rather make-shift, but the sound system was powerful, and the microphones on their stands glinted silver. Parchment came onto the stage, looking a little dishevelled and Bohemian, and also quite hairy - and performed a short set that included several of their new songs, but also the CCM classic Light Up The Fire. It was this song that hit me like a ton of bricks. The classic chorus is still sung in schools and churches all over the world today: 'Light up the fire, and let the flame burn. Open the door let Jesus return, take seeds of His Spirit and l...

The first Contemporary Christian Music album I ever bought was by a group called 2nd Chapter of Acts. They were a sister/brother vocal trio - Annie, Matthew and Nellie - who had just begun to appear on the scene. Their first album - which I played and played until I nearly wore it out - was simply titled *With Footnotes, and yes, the asterisk was important. About three quarters of the back cover of the album is filled with the entire second chapter of the Acts of the Apostles, and the *footnotes section is directly underneath, where the tracks and credits are listed. A neat touch. The front of the album, which is predominantly green and yellow in its themes, show the three siblings grinning into the camera, and yes, they are unmistakably brother and sisters. *With Footnotes was released on the Myrrh label in 1974 and contained 11 tracks, all but one of which were written by Annie Herring . The producer of the album was Annie's husband Buck, and their master stroke was to enlist...

Randy Stonehill appeared abruptly on the Contemporary Christian Music scene in 1971. Born in Stockton, California in 1952, Randall Evan Stonehill and was raised an agnostic. I previously wrote about how rock musician and CCM pioneer   Larry Norman  met Stonehill, befriended him and then led him to Christ. Norman later signed Stonehill to his One Way label and went on to produce several of his early albums. To date Randy Stonehill has released more than 30 albums since his debut production, Born Twice.  He is a singer/songwriter who falls neatly within the folk rock genre. His songs and style are reminiscent of the music of James Taylor with shades of CSN , and some melodic West-Coast rock influence can also be heard. Some of Stonehill's tracks are insanely comedic in their approach, and he is inevitably zany in his live performances too. Several of his compositions contain critical commentary on American life, with humour used to good effect on songs such as Ameri...

Bootleg (1970) by Larry Norman Now and then I'm hoping to feature some of the pioneers of Contemporary Christian Music (CCM) and some of the seminal tracks they recorded. CCM has a short history, arguably starting around the Jesus Movement period of the late 60s and early 70s. In 1971, Chuck Smith, pastor of Calvary Chapel in Costa Mesa, California, launched a Christian record label called Maranatha! Music . It was a vehicle to popularise music by several of Calvary Chapel's in-house bands including Sweet Comfort Band, Love Song, Mustard Seed Faith and Daniel Amos. Several solo artists were also signed to the new label, and a number of vinyl albums were released during the 1970s. Even before Maranatha! Music launched, a singer/songwriter from Texas by the name of Larry David Norman established his own Christian label called One Way records in 1970. The first two albums released on One Way were a double album by Norman himself, called Bootleg, and another by a new, up a...